Is back of orchestra or front of mezzanine better?
Orchestra seats get you closest to the stage, but being in the mezzanine or balcony can give you a wider, fuller view of the stage from a little higher up, especially as compared to a section like the side orchestra, where you might be closer, but might not have a full view of one far side of the stage.
The word "balcony" has a certain nose-bleed connotation, and ticket buyers are less spooked by the word "mezzanine." Front mezzanine seats are usually as good as orchestra seats, sometimes better, depending on the show. For a show with a visual sweep or intricate choreography, you might be better off in the mezzanine.
Rows A and B in the Center Front Mezzanine are widely regarded as offering some of the best views, perfect for enjoying the spectacular set pieces and gothic numbers in The Phantom of the Opera.
Center Front Mezzanine
Whilst some patrons may find the Front Mezzanine hangs a bit too far forward over the stage, this is overall a very good section with clear and desirable sightlines, especially in the front row.
Orchestra Section
Considered the best tickets in the house, these seats are on the main level of the theatre and offer the closest seating to the stage. The Orchestra is usually divided into 3 sections with a left and right aisle (though this can vary from theatre to theatre).
While the back may be the safest option comfort-wise, experts say that the middle row has the best seating. According to Groupon, an ideal row in the movie theater is “the center row and the four rows behind it, which is about one-half to two-thirds back.”
The front rows of the dress circle are among the best seats in a theatre – especially for dance productions and musicals with a strong dance element.
A cheap seat is usually a high up seat in a venue or an arena where the ticket is sold at less expensive prices. The cheap seat is also commonly referred to as the "nosebleed section" of a venue.
Mezzanine financing can be considered as very expensive debt or cheaper equity, because mezzanine financing carries a higher interest rate than the senior debt that companies would otherwise obtain through their banks but is substantially less expensive than equity in terms of the overall cost of capital.
No matter where you sit, even at the very ends of rows, no action is restricted, and you get amazing views of the best moments of Phantom. It is worth sitting as centrally as possible for the best experience. Most of the Royal Circle falls under this price, aside from seats at the very ends of rows.
Is front mezzanine better than orchestra for phantom of the opera?
Re: Front Mezzanine or Orchestra seats for Phantom of the Opera? Front mezz. Especially in this musical where much action takes place high above the stage. And the side seats -- better chance of no blocked views and the action is as good seen from the side as from the front.
Rows A to C of the Center Mezzanine are excellent for direct overhead views. From this vantage point, patrons can see the full sweep of a grand musical without having to look up at the stage for extended periods. Rows D and E are also good for cheaper seats.
The best seats are at least 4 or 5 rows back in the center up to about the 12th row. Most seats in the front mezzanine (up to 6 or so rows back) are also quite good.
The very best seats however tend to be at the centre of the stalls, a little set back front the font. The Dress Circle offers generally good views, with a shallow curve and a good rake, meaning that most of this area gives unimpaired views of the stage, but often also has little price variation.
Get good value for money
Seats D19/20 and E19/20 are my favourites as you still feel quite close to the stage. Legroom in the upper circle is very tight, but these aisle seats mean you can rotate your legs to the side for comfort during the performance.
Most people want to sit in the middle, fewer people want to sit on the sides, way up front, or way to the back. So, seats in the middle are more expensive and seats to the sides, front, and back are less expensive.
The best seats in most concert halls for both acoustics and sight lines are in a section of the hall often called the “Dress Circle.” This is typically the first section at the front of the balcony.
Orchestra Chairs
The most skilled musician sits in the first chair of each section and plays any solo parts for that instrument. The next most skilled player would sit in the second chair and the least skilled musician would sit in the last chair of his or her section.
“The center is the best place to sit in a movie theater. At the front you're too close to the screen, at the back there are too many heads and seats in front of you and on the aisle you're too far to the side. The center is just right. Although a compromise can be made in the seats in between the front and the center.
A combination of tabled seating and general admission areas, the upper-level Mezzanine offers guests unique choices to experience the performance or event below.
Why do people sit in the front row of the cinema?
People who love sociable activity and being around others select a seat on the front row with the screen directly in front of them. 'Because these seats fill your whole field of vision with the screen, people who choose these seats have a desire to be constantly connected with others,' writes Mizuki.
Most people gravitate to the center or the back of a theater and find the front uncomfortable—too loud, too much neck-craning. But to front-row enthusiasts like me, the sensory overload is exactly what makes the zone so appealing.
Sitting in the front row of an IMAX theater is probably a mistake. Putting yourself in the very front row will make it exceptionally difficult to follow any action on the screen since you're so close to it, especially any action or activity that occurs on the sides of the screen.
There are typically three sections to a Broadway theatre seating chart – Orchestra, Mezzanine, and Balcony.
Theatre performance spaces fall into four categories: proscenium theatres, thrust theatres, arena theatres, and found spaces. This section will introduce you to the common parts of each theatre and the relative benefits of each type.